Rhythm and Roots has just turned 20! Don’t worry if you forgot to send a card or write on our Facebook wall, there is always next time 😉 So, we are not actually 20 years old but 20 shows old! To celebrate we have a smorgasbord of great new music for you to share this special moment with us. This one is like a musical cake made of different slices of tasty melodic sponge and harmonic jam, the perfect soundtrack to a game of pass the parcel or a big bag of birthday surprises from all over the world!
On behalf of Rhythm and Roots – thanks for listening and raise a glass with us for good health and another 20 Rhythm and Roots!
You can find the full tracklist after the break and download here. If you really want to send us a birthday message we wouldn’t mind or even ideas for your next present (Ok, this metaphor is getting a bit long…) We’d love to hear from you so, email us your favourite tracks, Tweet us your ideas, get in touch if you’d love to collaborate and keep on listening!
Incredibly, we reached over 3,000 Euros today on the Kickstarter. Now just 24 hours to go so still time to support the ‘A Guide to the Birdsong of South America’ project!
On to artist number 9 and one we are very excited to announce! All the way from the Andino plains of Chile we give you the mysteriously wonderful and entrancing Matanza! The shamanic Chilean trio will be making a track inspired by a special Patagonian species, the Gallineta Chica or Austral Rail.
Hailing from Chile, Matanza are a trio of electronic musical shamans. The band been integral in the folk/electronica movement in Chile n Chile and beyond, breaking new ground with their fresh approach to both Andino folkloric music and electronica. Matanza fuse together the music of their roots, collecting, playing and recording a range of native Latin American instruments like Bombos and Gaitas, with the music they grew up to – the sound of the dancefloor sighting Ricardo Villablobos, Matias Aguayo and the label Dirty Bird as influences. Their productions blur the lines between house, techno and folklore, reinventing, remixing and developing new musical directions and meeting points. In their words: post-modern folk music. In our words: brilliant. Listen below:
We are happy to introduce our first Venezuelan bird and artist from ‘A Guide to the Birdsong of South America‘. As our 9th artist we give you Algodón Egipcio who will be creating one track inspired by the stunningly coloured and aptly named Cotorra del Sol or Sun Parakeet. Find out more about the bird and the artist below. Still three days left to support our Kickstarter to make this album happen. Check it out here!
Algodón Egipcio is a Venezuelan artist and one half of the lovely, melody soaked pop duo Jóvenes y Sexys. Under his production moniker, Algodón AKA Cheky makes wonderfully spacey, atmospheric lo-fi electronica but with melody at its heart and his warm vocals drifting over the top. He recently took part in the wonderful Norte Sonoro project in Mexico and has made a name for himself on the Latin American underground scene. Listen below:
Just a few days ago’A Guide to the Birdsong of South America’ passed the 100% mark on Kickstater thanks to some fantastic support from all over the world. We still have four days left to go so please back us if you can – the more money we can make the more we can give to Aves y Conservación!
We still have a flock of exciting new artists to reveal and are going to announce them one a day, until the end, starting today. So, drumroll please to welcome our first Peruvian group for the album – Dengue Dengue Dengue! The masked new-cumbia duo have chosen the unassumingly beautiful and critically endangered Remolinera Real or Royal Cinclodes (Cinclodes aricomae), found only in Peru and numbering between 50 and 250. Below the bird that will inspire them to make the track and some background on los Dengues!
Dengue Dengue Dengue are a duo hailing from Lima, Peru who have made a splash on the world of tropical bass for their bombastic live shows, bass crunching productions and refreshing reinterpretations of classic cumbia, chicha and Latin American sounds.
As we reach 100 backers and 90% of the backing on Kickstarter it is time to introduce you to our next ornithological musical duo – Argentina’s Barrio Lindo and El Capuchino Pecho Blanco or the Marsh Seedeater! This beautiful little bird is in steep decline due to trapping for the caged bird market and it is estimated there are only 600 – 1700 left in the wild.
Barrio Lindo AKA Agustín Rivaldo is an Argentine producer who also happens to make his own guitars and charangos. The young producer spent three years in Colombia immersed in the country’s rich rhythms and sounds before returning to Buenos Aires where he honed his production skills under the tutelage of fellow porteño Chancha Via Circuito.
Barrio Lindo crafts electronic-folk spacescapes, dream like sequences seeped in atmosphere but grounded in the rhythmic undercurrents of South American traditional music. He has released music on Bad Panda and most recently on the forward thinking German label Project Mooncircle. Listen below:
Joining the host of talent featuring on ‘A Guide to the Birdsong of South America’ our fifth artist is an Ecuadorian producer who has collaborated with Nicolas Jaar and is behind the mysterious QTZLCTL collective. Introducing Nicola Crúz and the Jocotoco Antpitta, a bird only discovered in 1997 and found in only 5 locations. Find out more and become part of the album by backing us on Kickstarter.
Nicola Cruz is a DJ, producer and musician born in France but having gone back to his origins and currently living in the heart of the Andes – Quito, Ecuador. His music is founded in electronica, drawing from house, techno and electronica explorations, mixing this with the sounds of his surroundings – the culture, traditions, landscapes and rhythms of the Andes.
Cruz is an Ecuadorian producer who has released music on Nicolas Jaar’s imprint and is behind the QTZLT collective. He has played stages from LA to Buenos Aires and has crafted a sound echoes that of Jaar’s – a live, organic electronica that, in his words, makes ‘electronic music sound as if a band were playing it.’