Posted on September 1, 2014
Rhythm and Roots has just turned 20! Don’t worry if you forgot to send a card or write on our Facebook wall, there is always next time ;) So, we are not actually 20 years old but 20 shows old! To celebrate we have a smorgasbord of great new music for you to share this special moment with us. This one is like a musical cake made of different slices of tasty melodic sponge and harmonic jam, the perfect soundtrack to a game of pass the parcel or a big bag of birthday surprises from all over the world!
On behalf of Rhythm and Roots – thanks for listening and raise a glass with us for good health and another 20 Rhythm and Roots!
You can find the full tracklist after the break and download here. If you really want to send us a birthday message we wouldn’t mind or even ideas for your next present (Ok, this metaphor is getting a bit long…) We’d love to hear from you so, email us your favourite tracks, Tweet us your ideas, get in touch if you’d love to collaborate and keep on listening!
Posted on July 23, 2014
As we reach the last few hours on Kickstarter, I’m happy to reveal our last artist (for now ;) )…Frente Cumbiero! The Colombian group will be creating a song by the wonderfully bizarre El Paujil or Blue Billed Curasow! This unique species found in the North of Colombia is recognised as Critically Endangered by the IUCN.
Frente Cumbiero‘s music is a journey through the darkest depths of cumbia, their mision – to take this entrancing Colombian genre and dance to the world! The band simultaneously celebrate the roots of the genre alongside pushing and embracing the new, no less than on their groundbreaking album with legendary Dub producer Mad Professor. Lead man Mario Galeano was also heavily involved in the globe trotting Cumbia all-stars group Ondatropica. Their own sound has a raw talent to it, succeeding where many fail in walking the line between the old and the new!
Posted on July 19, 2014
Just a few days ago’A Guide to the Birdsong of South America’ passed the 100% mark on Kickstater thanks to some fantastic support from all over the world. We still have four days left to go so please back us if you can – the more money we can make the more we can give to Aves y Conservación!
We still have a flock of exciting new artists to reveal and are going to announce them one a day, until the end, starting today. So, drumroll please to welcome our first Peruvian group for the album – Dengue Dengue Dengue! The masked new-cumbia duo have chosen the unassumingly beautiful and critically endangered Remolinera Real or Royal Cinclodes (Cinclodes aricomae), found only in Peru and numbering between 50 and 250. Below the bird that will inspire them to make the track and some background on los Dengues!
Dengue Dengue Dengue are a duo hailing from Lima, Peru who have made a splash on the world of tropical bass for their bombastic live shows, bass crunching productions and refreshing reinterpretations of classic cumbia, chicha and Latin American sounds.
Category: A Guide to the Birdsong of South America, Rhythm and Roots Label Tagged: A Guide to the Birdsong of South America, BIrdlife, Birds, Birdsong, Cumbia, Cumbia Digital, Dengue Dengue Dengue, Digital Cumbia, Endangered species, IUCN, Nu-Cumbia, Peru, Remolinera Real, Rhythm and Roots, South America
Posted on June 15, 2014
Things are hotting up here in sunshine filled Amsterdam and Rhythm and Roots is back with a Brazil fever tinted episode featuring new music from Chancha Via Circuito, World’s End Girlfriend, Cashmere Cat and Logos. This month’s episode brings together cumbia, old school hip-hop, new school digital tropical sounds and some great tracks that just defy genres. Replacing the featured producer this month we showcase the brilliant new 43 track Mais Um Discos compilation, Rolê.
You can find the full tracklist after the break. We would also love to here from you! So, send us your tips and suggestions either by email, Twitter or send us your tracks / demos via Soundcloud’s messaging here.
Posted on February 26, 2014
Que Pasa Colombia is snapshot of the flourishing modern Colombia music scene. The home of Salsa, Cumbia and Champeta, Colombia has played a very special role in the story of Latin American music. A melting pot of African, European and Indigenous culture gave birth to an incredibly rich and diverse musical heritage. This incredible history is today being rejuvenated by a new generation of musicians and producers, taking the rhythms and traditions from the mountains to the pacific and revisiting them for the 21st century.
The film was inspired and influenced by Canalh’s brilliant Au revoir Colombie Mix, so here is the soundtrack to the film and a great place to start to get into Colombia’s vibrant music scene.
Find out more about Que Pasa Colombia here.
Posted on October 2, 2013
As Autumn dawns in the Northern Hemisphere we return with another selection of global treats for your earbuds. This is global music in its essence, songs that push borders and traverse genres, mixing folk with electronica, modernity with tradition. It is also music that will make your feet shuffle and your head nod. The perfect antidote to a cold, frosty morning or the adequate accompaniment to a warm, sticky Friday evening. Put it on loud and enjoy! Full tracklist after the jump.
Posted on November 17, 2012
I have been sitting on this wonderful album released by Analog Africa for a while but have only just got round to fully immersing myself in it. On paper this is another compilation celebrating the seemlessly endless resource of brilliant Colombian music. In reality, it is a collection of tracks meticulously chosen over a six year period representing a moment in history when the cross-roads between Colombian and African culture were at their height.
Back in 2007 label head Ben Redjeb travelled to Colombia’s Caribbean coast with a suitcase filled with two hundred 7-inch singles and around 100 LPs of African music. His aim: to meet local record collectors and exchange his collection with their own, collating an album that would document the heyday of Afro-Colombian roots revivalism on the Caribbean coast in the 1970s.
Central to this scene were the Picó soundsystems and their DJs who would play rare African tracks brought by traders and sailors to eager crowds. The DJs’ reputation relied upon the exclusivity of the records they were playing – sleeves were thrown away and label stickers scribbled over to maintain the secreccy of these killer tracks. So, when Redjeb arrived with his suitcase of these exact same records he was met with unexpected fervour from the collectors who instantly recognised the tracks but had no idea of the names or artists.
“African music was not ours and we didn’t understand the lyrics but we could feel our roots and the connection with our ancestors – that was beautiful for me.” Fabian Althona
Much as the African music that was being played in the 1970s was incorporated into the local scene, in a strange, 21st century, globalised way Redjeb was carrying on this cross-continental cultural tradition. A 21st century fusion of African rhtyhms with Colombian DJs via a German record enthusiast.
As he came offering such valuable goods, he was able, in turn, to collect thousands of rare records from the local enthusiasts and picóteros. These were carefully whittled down to the 32 tracks on the album, offering not only a collection of rare musical gems but also a snapshot into the thriving and electric music scene on the Colombian Carribean in the 1970s.
“Diablos Del Ritmo” celebrates this fusion of rhtyhms and styles, the meeting of Afrobeat, Terapia and Lumbalú with Colombia’s own Gaita, Puya, Porro, Cumbiamba, Mapelé and Chandé. This is epitomised on tracks such as Alfredo Gutiérrez y sus Estrellas’ Pajaro Madrugado or Myrian Makenwa’s brilliant Amampondo.
The tracks not only mix the rhythms but also the language, incorporating words of African origins with Spanish and English. The 32 songs move between classic cumbias to reverb filled, Colombian Afro-beat and off into territory that you would never have associated with Colombian music. It is impossible to sum up the intricacies of this music and its historical context but the album comes with a rich 60 page booklet detailing the artists, the music and the story. A unique and highly recommended release.